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Time Warner Fellows Projects: Batik Design

Purpose of Project:
The purpose of my research was to study various textile traditions in Indonesia and to learn about techniques in weaving, batik, and dyeing. The inter-relationship of Indonesian textiles with animist, Buddhist, and Muslim traditions was also examined.

The seventh grade class was selected to create batiks, the process of using hot wax and dye to create designs and images on fabric.  Students spent several weeks studying new design concepts such as symmetrical patterning. Motivation and inspiration were provided by actual textiles from my own collection of Indonesian African, Indian, and Guatemalan works.  Students refined several practice designs and then studied color mixing and theory. These studies prepared students for color changes during the multiple dyeing stages of batik.

Student Activities:

  1. Show students examples of printed fabrics (either actual fabrics or reproductions) 

  2. Students create designs on paper and then refine them. 

  3. Designs are transferred to unbleached muslin panels using light colored pencil. 

  4. Heat wax safely in a kitchen crock pot, to keep at a constant temperature. Apply wax with a brush to the areas of the batik that are to remain white-use older brushes as they will not be re-usable for painting. 

  5. Dye the fabric in the first color. Dye colors light to dark. Use a tepid dye bath, leave the fabric in for 20 minutes.  Students must stir the fabric so make sure they wear  rubber gloves. 

  6. Rinse out dye with cold water, hang fabric to dry. 

  7. Next session, students apply a new layer of wax to cover the areas that will remain the first dyed color.  Do not scrap off the first wax coat. The fabric is then dyed a new, slightly darker color. 

  8. Repeat steps 6 and 7, using progressively darker colors in each session, until the batik reaches the desired color richness and design complexity. 

  9. When the dyeing is finished and the fabric is dry, iron out the wax in between sheets of newspaper. Keep replacing the newspaper layers until all the wax is out. The fabric will remain a bit stiff.  It is not possible to get 100% of the wax out by ironing.
Standards Addressed by This Unit:
  1. Students will create a work of art while learning to work with batik.

  2. Students will apply their understanding of design and pattern to their own work.

  3. Peer discussions and critiques will be conducted during the design and dyeing phases.

  4. Students will respond and analyze their own work and that of their peers during a final class critique when all batiks are completed.


About the Students:
Allen Stevenson School is an all boys school. The seventh grade class was selected to create batiks.  The project, because of the safety issues with hot wax, should not be done with students younger than perhaps 6th grade.  A willingness to learn and work safely are the major prerequisites.  Students worked in groups of 4 around one crock pot for the wax.  More students at each crock pot would be unsafe. 

I think batik is an excellent medium to introduce all students, both male and female, to textile art traditions.

Overall:
Students will learn to create a batik using hot wax and dye. In learning this technique, both students and other teachers in the school (if the works are exhibited) gain knowledge and appreciation of an ancient, yet enduring, art tradition. The study can also introduce a new area of cultural richness to an existing art department: Indonesia and textile decoration as an art form. Prior to my research, Indonesia and textile arts were an untapped subject area at my school.  Since the batik tradition is not limited to Indonesia, it can also be applied to curriculums on India, parts of Western Africa and also Japan. 

Tips:

  • Have students draw on the muslin with very light colored pencils, otherwise their sketches will show through the dye. 

  • Bars of Gulf wax or old colored candles can be used.  Colored candles will impart some color onto the muslin.

  • The wax must be hot enough so that it flows smoothly and seeps immediately  into the fibers of the fabric.  If it sits on the surface of the fabric and doesn't seep into the fibers, it will not successfully resist the dye.

  • Adding thicker layers of wax will not help.  Adding a very hot layer to the back of the area might help resist the dye better.

  • The fabric must be completely dry before adding the next layer of wax.

  • The dye bath can only be moderately warm-hot water will melt the wax.

 

Margaret Lanzetta is a professional artist whose work is represented in numerous collections such as the Museum of Modern Art in NY and the British Museum. Her textile research has been conducted in several Asian and Central American countries. She has been an artist/instructor since 1990.

Region: New York City

Estimated Class Periods to Complete: 6

Subject: arts, social studies

Grade Level: 7-12

e-mail Margaret

A Project of The Council for Basic Education and Time Warner

click the thumbnail for the full image

Batik Designs

 

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